Post #5. Aphra Behn: A Slave to her Bias
Though Warren Chernaik argues that Aphra Behn’s Oroonoko is anti-slavery, I would counter-argue that Behn’s portrayal of Africans de-humanizes them as much as a pro-slavery stance. Oroonoko’s extreme solution towards the fate of Imoinda could not have been well received by the Christian audience of 17 th century England, however, if the audience already had a mindset stereotyping Africans or savages, Oroonoko’s actions would have seemed justified. Therefore, Behn’s portrayal would only serve as reinforcement to these stereotypes. Behn’s acknowledgement of Oroonoko’s beauty is based entirely on Oroonoko’s physical characteristics that mirror the ideal values of a fellow Briton. In a way Behn is implying that she and those of her race, are suited in determining the worth of others. In eschewing Oroonoko original name, giving him the name of Caesar, and then referring to him as such throughout the rest of the narrative, shows cultural belittlement. Perhaps in the narrative, Oroonoko was